My Influencer

Annotated Bibliography

  • McLuhan.org. (2024). McLuhan’s legacy: Understanding media as extensions. McLuhan Foundation. Retrieved from https://mcluhan.org/

    This website explores McLuhan’s concept of media as extensions of human

    senses, a foundational theory for media evolution. Understanding McLuhan’s legacy provides a theoretical background for media innovation and its role in amplifying cultural reach. These concepts are valuable for strategies in promoting Chinese traditional culture globally.

  • Levinson, P. (2013). New New Media (2nd ed.). Pearson.

    Levinson examines the impact of social media and digital platforms, highlighting their role in allowing audiences to produce and share content. This book supports the idea that media innovation empowers individuals to participate in cultural heritage preservation and dissemination.

  • Jenkins, H. (2006). Convergence Culture: Where Old and New Media Collide. New York University Press.

    Jenkins discusses the convergence of media, where content flows across multiple platforms, enabling deeper engagement. This theory is vital for understanding media innovation’s role in enabling cultural heritage to reach diverse audiences through different media.

  • Annenberg School for Communication and Journalism. (n.d.). Henry Jenkins. University of Southern California. Retrieved October 29, 2024, from https://annenberg.usc.edu/faculty/henry-jenkins

    This webpage offers an overview of Henry Jenkins' professional background, academic achievements, and key research areas. Jenkins is a prominent figure in communication studies, known for his theories on participatory culture and transmedia storytelling. This source provides foundational information that aids in understanding Jenkins' influence on media innovation and its applications in cultural dissemination.

  • Couldry, N. (2011). More sociology, more culture, more politics. Cultural Studies, 25, 487-501.

    In this article, Couldry discusses the role of sociology, culture, and politics in cultural studies, emphasizing the social impact of media. This work is valuable for exploring the intersection of media, society, and culture, which is crucial for understanding media's role in promoting intangible cultural heritage.

  • DataReportal. (2024). Digital 2024: Global overview report. Retrieved from https://datareportal.com/reports/digital-2024-global-overview-report

    This report compiles global data on internet usage and social media trends, providing insights into digital media’s role in shaping global communication. It is relevant for evaluating the potential of media innovation in reaching a worldwide audience, which is particularly useful for promoting intangible cultural heritage.

  • Deloitte Insights. (2024). 2024 Digital Media Trends Report. Deloitte. Retrieved from https://www2.deloitte.com/us/en/insights/industry/technology/2024-digital- media-trends.html

    Deloitte’s report analyzes key trends in digital media, including social media, streaming, and the growing creator economy. It provides context on how digital media trends influence cultural dissemination, which supports the role of media innovation in spreading intangible cultural heritage.

  • Javanshir, R., Carroll, B., & Millard, D.E. (2020). Structural patterns for transmedia storytelling. PLoS ONE, 15.

    This study explores structural patterns in transmedia storytelling, offering insights into how narratives can be shared across platforms. It supports the application of transmedia storytelling in sharing cultural heritage by presenting techniques for effective multi-platform engagement.

  • Jenkins, H. (1992). Textual Poachers: Television Fans and Participatory Culture. 14 Routledge.

    In this seminal work, Jenkins examines fan communities and participatory culture, showing how audiences engage deeply with media. This concept is relevant for understanding how audiences can become active participants in the dissemination of intangible cultural heritage.

  • Jenkins, H. (2006). Convergence Culture: Where Old and New Media Collide. New York University Press.

    Jenkins discusses the convergence of media, where content flows across multiple platforms, enabling deeper engagement. This theory is vital for understanding media innovation’s role in enabling cultural heritage to reach diverse audiences through different media.

  • Jenkins, H., Ford, S., & Green, J. (2013). Spreadable Media: Creating Value and Meaning in a Networked Culture. New York University Press.

    This book explores how digital media enables content to spread across networks, highlighting the role of audience participation. It underscores how media innovation can make cultural heritage more accessible by leveraging audience engagement.

  • Kleut, J. (2017). Kultura konvergencije: Pojam i kritike. Gff, 41, 165-182.

    This article discusses convergence culture and critiques its impact on media and society. It provides a critical perspective on convergence theory, useful for understanding the challenges of applying media convergence to cultural heritage dissemination.

  • Levinson, P. (1997). Soft Edge: A Natural History and Future of the Information 15 Revolution (1st ed.). Routledge. https://doi.org/10.4324/9780203981047

    Levinson’s book examines the evolution of information technology and media, focusing on how technology shapes human experience. It provides a historical foundation for understanding the significance of media innovation in shaping cultural practices.

  • Levinson, P. (1999). Digital McLuhan: A Guide to the Information Millennium (1st ed.). Routledge. https://doi.org/10.4324/9780203164341

    In this work, Levinson expands on McLuhan’s theories, applying them to the digital age. This book is relevant for analyzing how media innovation impacts cultural dissemination, as Levinson connects digital media with human perception.

  • Levinson, P. (2012). Skype and the reality of remedial media. Found Sci, 17, 397–399. https://doi.org/10.1007/s10699-011-9254-7

    Levinson discusses the concept of remedial media, explaining how technologies like Skype compensate for the limitations of previous media. This article provides insights into how new media tools can enhance the transmission of cultural heritage.

  • Martínez, D.S., Aarseth, E., Pratten, R., & Scolari, C.A. (2016). Transmedia (storytelling?): un estudi crític polifònic.

    This polyphonic study critically examines transmedia storytelling, offering diverse perspectives on its effectiveness. It is useful for assessing transmedia’s application in sharing cultural heritage across various platforms.

  • OurKarlPopper.net. (2020). Popper and evolution over the decades – How Karl Popper has made a difference in our lives. Retrieved from https://ourkarlpopper.net/

    This website discusses Karl Popper’s influence on theories of media and evolution. It provides theoretical background relevant to understanding media innovation and its impact on cultural evolution.

  • Castells, M. (1999). The Information Age: Economy, Society and Culture. Blackwell.

    In this trilogy, Castells provides a foundational analysis of the network society, exploring how information technology reshapes economic, social, and cultural structures. This work lays the groundwork for understanding the power shifts enabled by digital communication.

  • Castells, M. (2009). Communication Power. Oxford University Press.

    This book focuses on how communication and information networks redefine power structures. Castells uses case studies to illustrate the influence of digital communication on both grassroots movements and institutional power.

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